Looks like it’s finally happening. Folsom’s 93 is still on course for a July release. I’ll be headed out to to Sacramento and the prison in July (more on that when dates are finalized).
As contest coordinator, I’m thrilled to announce the Northern Colorado Writers are now accepting submissions for the 2nd annual Top of the Mountain Book Award. The contest is open unpublished works of fiction, creative/narrative nonfiction, and nonfiction. The contest is open until march 1, 2013. Winners receive a $100 and a framed certificate, as well as recognition at the NCW Conference April 26, 2013. Get the submission guidelines HERE and good luck!
I just returned from the Jackson Hole Writers Conference and I’m ready to jump into my new project, a historical fiction. I’m enjoying this reprieve from Folsom while the publisher goes over the manuscript of my book. Check out my post at AprilJMoore.
The other night I attended a lecture by author and journalist, Greg Campbell. Greg is the author of Blood Diamonds, Flawless, and Road to Kosovo. I first met Greg earlier this year at the Northern Colorado Writers Conference where he presented a workshop on writing narrative nonfiction. Since then, I have tried to attend every one of his classes or lectures because he’s such a master of nonfiction. For this particular lecture, Greg focused on a journalistic approach to short nonfiction, having been in that field for many years. Greg’s book-length narrative nonfiction is certainly something to marvel at—he knows what he’s doing. Flawless was probably one of my favorite nonfiction books I’ve read in a long time—it’s fantastic.
Tuesday night’s lecture focused on writing short, yet compelling nonfiction. To define short, we’re talking 800 to 1500 words; 2500 at the most. Anything shorter, it’s tough to get too “compelling,” but nonfiction at that length, is typically newspaper articles—so you need just enough room for the facts. It could pose a challenge for me considering many of the stories in my book will have to be between 300 and 700 words. I’m up for the challenge.
The following are pieces of sage advice from Mr. Campbell. (I paraphrased) Take notes.
Know your audience. This isn’t just your readership. When it comes to short nonfiction, knowing an editor’s specific style is the first thing to consider. For example, USA Today and The New Yorker may have the same readers, but the types of work they publish is very different. Know your editor first.
Know your story. What is your story? And what makes it important? How does it differ from other published stories on the same subject?
Become a storyteller. Write your story in a letter to someone who knows you well. Tell them your story how you would in a conversation. The recipient will be able to tell you where it doesn’t sound like you, where the holes are, etc.
It comes down to voice. You can either put yourself in the story or not. You have to decide if it’s necessary. Can the story and its characters speak for themselves? If you have a message, trust your reader to get it without beating them over the head with it—it’s distracting.
Responsibility to get it right. It’s a no-brainer; get your facts correct. And forget being “objective.” Be fair and accurate. Greg stresses the importance of knowing enough about your topic to defend it, because you may just have to.
Blog a lot. It’s great practice. It’s that simple.
Greg Campbell’s Top 8 Rules for writing short and compelling nonfiction
8. Jump in with both feet; don’t go wading out. Open with a scene from the middle of the story. Drawing the reader in may require starting somewhere other than the beginning.
7. Use really good quotes—and lots of them. They create mile markers in your story, and what’s not compelling about a good quote?
6. Be declarative when you write. Take out the “he said” and replace it with “he thought.” Taking out the attributes puts the reader into the heads of the characters.
5. Pay attention to word selection. Pick words you actually use; that are colloquial, conversational, the way you would speak. Avoid jargon and using “favorite” words. Throw in some well-played metaphors and similes.
4. Pay attention to sentence selection. You can be “colorful” but don’t do it randomly. Plot them out and make sure they are a part of your vernacular. They need to settle into the background, not take center stage.
3. The inverted pyramid. So picture an upside down pyramid in your mind. The top third is the newsworthy stuff. The middle are details, and the bottom is background/filler. That’s your typical newspaper article. For a bit longer nonfiction, overlap another inverted pyramid on the bottom third of the first pyramid. That’s where you hit the reader with another surprise. Greg called them “electric shocks.” Add another pyramid. These “shocks” keep your readers interested throughout.
2. Find a way to wrap up the story by bringing the reader back to the beginning. This a common technique good journalists use to remind the reader where they’ve been. It brings them back full-circle and shows them that you constructed it that way instead of writing it willy-nilly.
1. Write with confidence! Greg couldn’t stress this enough. This comes back to knowing your topic inside and out. Complete mastery and clarity of the topic establishes you as an authority on the subject which will give you confidence to write about it. And confidence = compelling.
So there you have it. Check out Greg’s blog and learn about his forthcoming book on medical marijuana, out next spring.
This weekend I attended the Northern Colorado Writers Retreat at Sylvan Dale Ranch outside Loveland. This is the second year I’ve done the retreat. Last year, I didn’t get as much done since I hadn’t finished my research at that point, but not one to pass up an opportunity to have peace and quiet (even if it was just to get a nap) I went.
This year, having completed my research, I had no excuses. We arrived Friday afternoon, got settled and had a couple of hours to write before our group of 10 gathered to discuss individual writing goals for the weekend. Then we had another couple of hours before dinner. I couldn’t pass up a rather boisterous game of Bananagrams, but after a few rounds, we decided it was time to write again.
From 9-5 on Saturday, we had uninterrupted writing time where the only sounds heard were the rushing river and the taping of keys on the laptop. I emerged from my room to grab a sandwich for lunch in the downstairs common room, then slinked back to continue tapping away. I did make sure I ventured outside to the sunny and peaceful deck to read over some transcripts.
After dinner, I forwent the evening movie of Dead Poets Society and continued to write for another 3-1/2 hours. Each morning I got in about 30 minutes of writing before breakfast.
The only misadventure came in the form of a tiny four-legged critter that darted across my floor and turned me into the a shrieking woman standing on the bed, envisioning a thriving community of mice under the bed. Luckily he escaped out into the hall.
I spent 21 hour writing this weekend and met my goal of writing 15 first drafts of the Folsom stories. I’m thrilled I got these done, as I’m sure my publisher would be, too, however I don’t think he’d be happy to hear that the word count on each one is higher than I previously estimated. How I’m going to convince him the word count for Folsom’s 93 needs to be larger, I don’t know, but I’m going to try.
I’m not against begging.
Having this time to write not only resulted in 15 completed stories, but it rejuvenated my writing mojo. I needed to plow through these in order to see the light at the end of the tunnel. Not having the everyday distractions of home, I cranked out several thousand words of text I wouldn’t have otherwise written in that time. Don’t underestimate the power of a writing retreat. Even if it’s only a half an hour away, it’ll be far enough from the daily grind so you can focus on your love of writing.
(Also . . . check out this great post, What is a Writing Vacation? by writer Carol Deminski)
Until today, I thought my label maker was the next best thing to the invention of the wheel and a cure for polio, but then I discovered the pure elation of a whiteboard.
Now that I’m working with a publisher and have a deadline and word count to meet, I feel justified in buying this $30 whiteboard. (I had to hold myself back at the $50 magnetic one). I grew weary of writing down notes and outlines on pieces of paper because they often got lost, or I forgot which notebook I wrote them in. Not only did this dry-erase board simplify the paper chaos, but it’s mighty satisfying to use.
As I progress and as things change, I can erase, rewrite, erase, rewrite without using up paper—it’s brilliant. I can even pretend I’m Detective Kate Beckett from Castle; studying it, changing it, adding to it . . . (now I wish it was magnetic so could hang up some mugshots . . . dang it)!
It looks like my book may finally have a home. I will be working with Linden Publishing/Craven Street Books to publish Folsom’s 93! Right now, the scheduled release date is spring of 2013, which gives me until next spring to have a finished manuscript. Plenty of time, right? Geez, I hope so. Wish me luck—I have a book to finish!